Wednesday, 23 February 2011
ANOTHER ONE BITES THE DUST
Sunday, 20 February 2011
A TUNE TO MURMER THROUGH THE AGES...
To achieve this we enlisted the help of a close friend who produces music we asked him to perform and record an instrumental cover version of the popular lullaby. We did so to raise our production values allowing for a greater sense of professionalism. In doing so we hoped to create some of the archetypal codes and conventions associated with our chosen genre of our media text. Following in the footsteps of some of the most iconic themes from timeless classics such as
With all these themes that have come before are now synonymous with their particular associated media texts. With these particular examples that had inspired me to condone the creation of a similar yet unique theme tune to be associated with out media text. Due to the source of my inspiration I thought it would be best to acknowledge them and reference them in some way or form this would be done using the tool of intersexuality.
Sunday, 13 February 2011
A TIME FOR EASTER EGGS
Our media text's narrative revolves around a unnamed man trying to save a unnamed woman from dying however later in the narrative it is revealed that the woman is actually a patient in a mental asylum and the man and his whole world is a concoction stemming from her mind. Due to this plot twist I thought it would be beneficial to introduce Easter eggs that hint towards the plot twist throughout the trailer.
I wanted something short and right to the point. I ultimately opted to go with the phrase 'IT'S NOT REAL'. Due to our lack of a budget we had to use Photoshop to create a fake newspaper front page with the phrase on it. I also spray painted the phrase on a collection of posters and placed it on a wall as the unnamed man ran past. With this the easter egg has two roles; one, to inform the protagonist of the narrative's destination and secondly, it breaks the fourthwall and talks directly to the audience by doing this I intended to reinvent the world famous Greek tragedies that Shakespeare also produced were the audience knows the inevitable demise of the character but is only there to look on and see the journey the narrative takes to get there.